participatory documentary by Lonnie van Brummelen & Siebren de Haan i.c.w. the fishing community Urk. 35mm film transferred to DCP, 63 min., 2014

The film Episode of the Sea is the outcome of a two-year collaboration of the artists and the fishing community of Urk, a former island in the Netherlands. In the previous century, the Dutch closed off and drained their inland sea to reclaim new arable land. The island of Urk, situated in mid sea, suddenly found itself embraced by land. Its inhabitants were expected to switch from fishing to farming, but the fishermen  found new fishing grounds, far out in the North Sea and continued their trade.

Despite being part of the mainland for decades, the fishing village is still reputably insular and its inhabitants speak in their own tongue. With a residency and numerous visits the artists gradually gained the Urker’s trust. Between 2011 and 2013, they documented the sites and work of fishing and filmed a dozen of staged scenes performed by members of the fishing community themselves in their local dialect, while keeping a log book of their encounters and experiences in situ. Episode of the Sea brings these diverse materials together.

The film documents the material world of contemporary North Sea fishery and the fishermen’s struggle with a changed public perception, fluctuating regulation, and excessive global competition, while parallels are drawn between fishing and filming. Rendered in black- and-white the film recites neo-realist drama and early documentary styles, evoking a way of life that has been passed on by ancestors and is about to disappear.

RELATED PROJECTS
Monikondee
Stones Have Laws

PRESS

2020
Film Comment, the decade in experimental film, Jordan Cronk (USA, in English)
MUBI, best 30 avantgarde feature films of the decade, Michael Sicinski (USA, in English)

2019
The Skinny, Colm Guo-Lin Peare (UK, in English)

2018
Expression, Amalie Proulx (CAN, in English)
razzmatazzrazzledazzle, Tetsu Saito (JP, in Japanese)

2016
Boekman Cahier, Dimitri Lahaut (NL, in Dutch)
Cracking the Frame, Saskia Monshouwer (NL, in Dutch)
Het Parool, Jos van de Burg (NL, in Dutch)

2015
World of Matter, On the Global Ecologies of Raw Material, Sternberg Press, HMKV (article in book, in English)
CineAction, Susan Morrison (CAN, in English)
The essential film journal collective, Nick Nolly (AUS, in English)
Four three film, Felix Hubble (AUS, in English)
Gallery TPW, Lotte Arndt, conversation with the artists (CAN, in English)
Filmmaker Magazin, James Hansen (USA, in English)
IndieWire, Kevin Jagernauth, top 10 of 2014 (USA, in English)
Underground Film Journal, Mike Everleth (USA, in English)
Social Text Journal, van Brummelen & de Haan (GB, in English)
Le Devoir, Marie-Eve Charron (CAN, in French)
Espace, Gentiane Boulanger (CAN, in French)
Seachange Journal, McGill University, Rafico Ruiz (CAN, in English)
The L Magazine, Aaron Cutler (USA, in English)
Filmmaker Magazin, Howard Feinstein (USA, in English)
Nonfics, Daniel Walber (USA, in English)

2014
Film Comment, Nicolas Rapold (USA, in Dutch)
Cineticle Kino Journal, Stanislav Bitutskiy (UA, in Ukrainian)
CUNY on curating, Brian Holmes (USA, in English)
Fandor, Best of Avantgarde 2014, Jordan Cronk (USA, in English)
Way Too Indy, Best Undistributed Films of 2014, C.J. Prince (USA, in English)
IndieWire, Kevin Jagernauth (USA, in English)
MUBI, James Lattimer (USA, in English)
CinemaScope No 61, Daniel Kasman (CAN, in English)
Metropolism, Features IDFA (NL, in Dutch)
NRC, Dana Linssen (NL, in Dutch)
Biamag, Murat Turker  (TR, in Turkish)
Hollywood Reporter, John DeFore (USA, in English)
Fandor, Jordan Cronk (USA, in English)
Way Too Indie, CJ Prince (USA, in English)
MUBI, Michael Sicinski (USA, in English)
See NL Eyefilm, Nick Cunningham (NL, in English)
Filmkommentaren, Allan Berg Nielsen (DK, in Danish)
Screen International, Jeremy Kay (UK, in English)
Het Urkerland, redactie (NL, in Dutch)
Neues-Deutschland, Felix Koltermann (DE, in German)
Springerin, Yvonne Volkart (AT, in German)

2013
De Witte Raaf, Dirk Pültau, (BE, in Dutch)
NRC, Daan van Lent (NL, in Dutch)

EXHIBITIONS

Hoeders van het Land, Deventer Kunstenlab, NL, November – December 2023
Borderlines, Talbot Rice Art Gallery Edinburgh, UK, February – May 2019
Orange, Quebec, CAN, 22 October – 21 November 2018
Katherine Nash Gallery, Minneapolis, 14 September – 9 December 2017

Post-Exotism, curated by le peuple qui manque, Festival Diep~Haven in Newhaven, UK, 7 June – 8 September 2015

Episode of the Sea, solo exhibition at the opening of the new space of TPW Gallery, Toronto, CAN, April, 2015

World of Matter, Concordia Gallery, Montreal, CAN, 19 February – 20 April, 2015

Taipei Biennale, Aesthetic Jam,
TWN, 13 September, 2014 – 4 January 2015
World of Matter, James Gallery, CUNY (City University of New York), USA, 9 September – 1 November, 2014

AWARDS AND NOMINATIONS

FESTIVAL AND CINEMA SCREENINGS

2023 ♦  University Leiden Multimodal Infrastructures, ReCNTR symposium ♦ 2019 ♦  The Edge, screening in the context of the exhibition Borderlines, Bath, UK  ♦  2018  ♦ Conjuger la Tracabilité, ORANGE trienial, Quebeq, CAN  ♦  2017  ♦  Festival Pecheurs du Monde, Lorient, FR   ♦  2016  ♦  Migrating Forms, BAM, New York, USA  ♦  MA for the arts non-profit BRAIN Arts, Boston, USA  ♦  Cracking the Frame, Rialto Film Theatre, Amsterdam, NL  ♦  Film Philosophy Seminar, ASCA, University of Amsterdam, NL  ♦  International House, Philadelphia, USA  ♦  24th Annual Environmental Film Festival, Washington, USA  ♦  Migrating Forms, New York, USA  ♦  2015  ♦  Filmhuis Oosterbeek, introduction by Johan Verreth and Urker visser Jan de Boer  ♦   Ashkal Alwan Home Works 7, Beirut Art Centre, Lebanon  ♦  International Documentary Feature Competition of the IV edition of the International Documentary Festival of Antofagasta, ANTOFADOCS, CHL  ♦  BIFED, Bozcaada International Festival of Ecological Documentary, Panorama section, Bozcaada, Turkey  ♦  Festival Internacional de Cine Independiente de La Plata Festi-Freak, Buenos Aires, Argentina  ♦  Bear River Film Weekend, Dalhousie University Centre for European Studies, Bear River, Nova Scotia, CAN  ♦  Queensland Film Festival, New Farm Cinema’s, Brisbane, AUS  ♦  Artistic Research Methods, KABK The Hague, NL  ♦  Centre Pompidou Metz, curated by Le peuple qui manque, FR  ♦  Jeonju International Film Festival, South Korea  ♦  Filmhuis Cavia, Amsterdam, NL  ♦  Ukrainian Documentary Festival, Kiev, UKR  ♦  International Environmental Film Festival of Mexico, Cinema Planeta, Cuernavaca, MEX  ♦  Second Ward Foundation, Hudson, NY, USA  ♦  CalArt, Los Angeles, California, USA  ♦  Cornell Cinema, Ithaca, New York, USA   ♦  The Aspect Series, The Maltings Cinema, Northumberland, UK  ♦  Ann Arbor Film Festival, Michigan, USA   ♦  Luxembourg City Film Festival, MUDAM, LX  ♦  MoMA’s Documentary Fortnight, New York, USA  ♦  Punto de Vista, Islands, Pamplona, Navarra, ES  ♦  2014  ♦  Screening and talk Master Film, Film Academie Amsterdam, NL  ♦  Human Rights Film Festival Zagreb, HRFF, Cinema Europa, HR  ♦  Festival Mar del Plata, section: Altered States, Buenos Aires, ARG  ♦  IDFA, section: Framing Reality, Amsterdam, NL  ♦  RIDM Recontre Internationales des Documentaires, section: Territories, Montreal, CA  ♦  CPH:DOX, New Visions Program Copenhagen, DN  ♦  Vlaams-Nederlands cultureel centrum DeBuren, Brussels, BE  ♦  TIFF, Wavelength program, CAN  ♦  2013  ♦  Kunsthaus Zürich, preview screening, CH  ♦  Urk op de Planken, preview screening, Urk, NL

VIDEO ON DEMAND [VOD]

2019 ♦  MUBI

Episode of the Sea is generously supported by the Netherlands Film Fund; Fonds BKVB/Mondriaan Fund; University of Amsterdam; Kunsthaus Zürich; TRACK/SMAK, Ghent; Rabobank Kunstzaken; Museum de Paviljoens; Netherlands Foundation of Scientific Research Institutes; MaHKU.