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DTSTART;TZID=Europe/Amsterdam:20250326T150000
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DTSTAMP:20260415T042555
CREATED:20251019T085302Z
LAST-MODIFIED:20251019T085744Z
UID:7310-1743001200-1743008400@vriza.org
SUMMARY:World Premiere Monikondee @ Cinéma du Réel
DESCRIPTION:MONIKONDEE — a film by Dutch artists Lonnie van Brummelen\, Siebren de Haan and Surinames theatermaker Tolin Alexander premiers in Paris at Cinéma du Réel. The three directors\, boatman Boogie Adiontoe\, Director of Photography Sander Coumou\, and set sound recordist Idi Lemmers will be present at the world premiere. \nA boatman delivers cargo to remote Indigenous and Maroon communities along the river bordering Suriname and French Guiana. His winding journey offers an inside look into the complex challenge of maintaining local customs in the face of rampant gold mining\, multinational corporations\, and a changing climate. \nAfter their sumptuous Episode of the Sea (2012) shot on land and at sea with fishermen from the town of Urk in the Netherlands\, the pair of Dutch artists\, Lonnie Van Brummelen and Siebren de Haan\, began working with Surinamese theatre director Tolin Alexander. Together\, they started making participatory films working closely with the Surinamese peoples who descend from Maroon communities. Following Stones Have Laws (2018)\, Monikondee (for “money country”) is set along the Maroni River\, on the frontier between former Dutch Guiana and present-day French Guiana. It documents the economic and cultural relations between the indigenous and Maroon communities – or Fiiman (for “free man”) as the protagonist\, a boatman who sails up and down the river to deliver his cargo of petrol to remote villages and gold-diggers\, immediately corrects. The story follows the vagaries of the boatman’s trips\, the damage to his slender\, 18-metre-long craft\, the passage through the rapids made more difficult by the weight of his dangerously balanced cargo. Here\, each plays their own part and tells stories of origins\, travels\, extractivism and the colonial plundering prolonged by economic enslavement to the goldmining that is destroying their river.  Each stop-off is an opportunity for other voices to speak up\, in fable or song\, following an ancient narrative technique known as Mato\, but also to multiply and join forces in order to gain ownership and jurisdiction of conflicts needed to effectively fight for territorial and environmental rights. \nAntoine Thirion \nMore information on the project \nInterview with the directors
URL:https://vriza.org/event/world-premiere-monikondee-cinema-du-reel/
LOCATION:Cinema l’Arlequin\, 76 Rue de Rennes\, Paris\, France
CATEGORIES:Film Festival
ATTACH;FMTTYPE=image/jpeg:https://vriza.org/wp-content/uploads/Monikondee_still-5_close-scaled.jpg
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DTSTART;TZID=Europe/Amsterdam:20240515T080000
DTEND;TZID=Europe/Amsterdam:20240523T233000
DTSTAMP:20260415T042555
CREATED:20240517T153626Z
LAST-MODIFIED:20251019T094900Z
UID:5914-1715760000-1716507000@vriza.org
SUMMARY:World Premiere East of Noon @ Quinzaine Film Festival Cannes
DESCRIPTION:EAST OF NOON by Hala Elkoussy is premiering at Quinzaine des Cinéastes at Film Festival Cannes. Premiere at 21 May 17:15 in Théatre Croisette. Further screenings with French subtitles only at 22/5/24 at Cinema Les Arcades Salle 1\, 22/5/24 at 17 hrs at Cinema Alexandre III\, 23/5/24 at 16:30 at Cinema Le Raimu. \nEast of Noon is a satire on the inner workings of an ailing autocracy and its inherent vulnerability to youth’s unchained vision of a better world. The story unfolds in two spaces: SHARQ12\, a sandy enclave situated in an industrial ruin; and the Sea\, a fluid landscape and simultaneously a longed for state of freedom. How do you imagine the sea when you have never seen it? \nThe characters embody a core personal question: How is hope kept alive in a grim reality? They struggle with fear in quest for a freedom that is instinctive\, but ill-defined\, with a hovering dilemma: can one stay clean in a dirty world? It is the young artist Abdo who most longs for freedom. His music is his saviour. The stories of his grandmother Jalala provide further relief from the hopeless reality\, but also perpetuate the status quo\, reflecting the complex relationship of art to authority. \nproduction: vriza\, seriousFilm\, Nu’ta Film \nrealized within the framework of De Verbeelding\, a collaboration of Mondriaan Fund and Netherlands Film Fund | funders: De Verbeelding\, Production Incentive\, Amsterdam Fund for the Arts\, Fonds 21\, DOHA Film Institute
URL:https://vriza.org/event/east-of-noon-quinzaine-des-cineastes-film-festival-cannes/
CATEGORIES:Film Festival
ATTACH;FMTTYPE=image/jpeg:https://vriza.org/wp-content/uploads/poster-05-05-2024.jpg
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