directed by Tolin Alexander & Lonnie van Brummelen & Siebren de Haan
with the participation of Maroon and Indigenous communities in Suriname
length: 103 min. | premiere: Cinéma du Réel, Paris, 2025
For centuries, the Maroons in Suriname have kept capitalist society at bay. Descendants of enslaved Africans who escaped plantations, they survived by adhering to ancestral values. In recent years, however, economic interests have penetrated deep into the rainforest.
Boatman Boogie navigates the Maroni River, which forms the border between Suriname and French Guiana, to deliver essential cargo to remote Maroon and Indigenous communities. While these forest peoples grow their own food, they are increasingly dependent on boatmen for their daily provisions. Climate-driven flooding and droughts are destroying their crops, and gold mining is poisoning the water.
When Boogie is summoned by his clan leaders to attend his nephew’s trial, the demands of his work begin to conflict with his traditional duties. During a winding journey far upstream, the currents grow increasingly unpredictable.
Boogie is the film’s narrator, sharing this role with the people he encounters. The multi-voiced narrative of this hybrid, participatory documentary draws inspiration from the mato, a collective Maroon storytelling technique in which the storyteller is interrupted by others who add their own stories and songs.
The script was developed in dialogue with the participants, and in the film, they re-enact their own lives. A selection of interviews conducted during the research is published on the Monikondee research page (link below).
Dutch cinema release: Cinema Delicatessen
Festival distribution: pascale@pascaleramonda.com
Educational distribution: renato@utopiadocs.net
Streaming (Netherlands): Monikondee is now available on Picl
Monikondee received the Prix du Patrimoine Culturel Immatériel (Intangible Heritage Award) 2025 at the 47th edition of Cinéma du Reél, jury’s praise: Against the current of a border river, this film navigates between two shores, carrying several people along. It begins with the “Free Men”—the Ndyuka, Pamaka, and Aluku Maroons—whose ancestors fled and resisted slavery. Today, they face a new form of capitalism—no longer slavery, but a market economy that gradually erodes the social structures they built in freedom, deep within the forest. The cultural imagination persists, even as its practices wane—a sense of loss that this film invites us to share. With a conversational approach, the film engages with the painful yet invigorating questions of culture—a notion now widely embraced, even in the Amazon.
Monikondee received two special mentions at ecological filmfestival Pianeta Mare in Napoli, 2025, from the expert jury and the youth jury, jury’s praise: Special mention from the expert jury — later echoed by the youth jury — for Monikondee, a film that gives voice to the Indigenous communities of Guyana and Suriname, threatened by mining exploitation and river pollution. A work described as “visually and morally powerful, calling for a rethinking of the price of progress.”
Monikondee received the Human Rights Award at the MOVE IT! 21. Filmfestival für Menschenrechte, jury’s praise: The film moves with almost dance-like ease through heavy themes such as climate change, the excesses of capitalism, colonial structures, and geopolitical power games. Through the intimacy of its protagonists and the courage to tell its story in a kaleidoscopic way, Monikondee allows us to understand geopolitics on the level of lived experience. More…



RELEASE
Netherlands: Cinema Delicatessen, 37 cinema’s, 20 November 2025 – 11 February 2026
LIMITED RELEASE
Suriname: TBL Parmaribo, 8 November 2025 – 21 January 2026
French-Guyana: Mois du Doc, educational screenings in Maripasoula, Papaiston, Cayenne, Manna, St.-Laurent-du-Maroni, November 2025
direction: Tolin Alexander, Lonnie van Brummelen, Siebren de Haan with the participation of the Kalina and Wayana Indigenous peoples, and the Pamaka, Aluku and Ndyuka Fiiman peoples | protagonist: Josef Adijontoe aka Boogie | line-producer: Ann Hermelijn | casting: Tolin Alexander | director of photography: Sander Coumou | camera concept & additional cinematography: Siebren de Haan | set sound: Idi Lemmers | voice-over recording: Daniël Stewart | montage: Bobbie Roelofs, Lonnie van Brummelen | sound design & mix: Jaim Sahuleka | post production image: Barend Onneweer | drawing on poster: Rossel Chaslie | poster and title design: Janna Meeus | montage trailer 1: Bouba Dola | montage trailer 2: Lonnie van Brummelen









INTERNATIONAL PRESS
Traversez La Route, review by Louis Gaultier (France)
Planocontraplano, (Spain)
Documentary Magazine, mention in article by Jonathan Ali (USA)
Caribbean Beat, interview by Jonathan Ali (USA)
TaxiDrivers, review Ornella Jumbo (Italy)
100pour100culture, review Jonas Kouassi (France)
RFI, review Isabelle Le Gonidec (France)
Razzmatazzrazzledazzlee, review Tetsu Saito (Japan)
Le Club de Mediapart, interview Eva Coatanéa (France)
Wr/ap, student interview Goossens, Bebek, a.o (Belgium)
Business Doc Europe, interview Helen Fripp (EU)
Inreview, review Michael Sicinski (USA)
SURINAMESE PRESS
Waterkant, review (Suriname)
De Ware Tijd, article Euritha Tjan A Way (Suriname)
De Ware Tijd, article Steven Seedo (Suriname)
De Ware Tijd, article Euritha Tjan A Way (Suriname)
United News, article (Suriname)
DUTCH PRESS
Jacobin Nederland, review Ruben Hordijk (Netherlands)
Socialisme.nu, review by Milko Hitiahubessy (Netherlands)
Volkskrant, review Kevin Toma (Netherlands)
Filmkrant, review Nicole Santé (Netherlands)
Parool, review Roosje van der Kamp (Netherlands)
De Correspondent, review Phaedra Haringsma (Netherlands)
Cinemagazine, review Frank Heinen (Netherlands)
Trouw, review Belinda van de Graaf (Netherlands)
One World, review Omar Larabi (Netherlands)
Historiek, review Kevin Prenger (Netherlands)
Nieuwwij, review Rolf Deen (Netherlands)
DowntoEarth, IDFA tip Wendy Knoops (Netherlands)
DVHNL, IDFA tips Miranda ter Wolde (Netherlands)
Docupdate, review Helmut Boeijen (Netherlands)
FESTIVALS & SCREENINGS
London Open City Docs, London, UK, 2026
Film Festival Filmer le Travail, Poitier, France, 2026
IDFA (Signed), Amsterdam, Netherlands, 2025
L’Alternativa, Barcelona, Spain, 2025
Black Soil Festival, Amsterdam, Netherlands, 2025
Le monde au coin de la rue @ A bientot j’espère, Grenoble, 2025
Forum des Images, special screening, Paris, France, 2025
Move It!, Dresden, Germany, 2025
Franse Dagen, Alliance Française, Paramaribo, 2025
CinéMartinique, Martinique, 2025
FIFAC, French-Guiana, 2025
Dag van de Marrons, Koninklijke Schouwburg, The Hague, 2025
Pianeta Mare, Napels, Italy, 2025
Festival Issni N’ourgh International Du Film Amazighe (FINIFA), Agadir, Morocco, 2025
Trinidad + Tobago Film Festival, 2025
European Film Festival, Muskat, Oman, 2025
DMZ Docs, Korea, 2025
Pour La Suite Du Monde, Lyon, France, 2025
Festival Douarnenez, France, 2025
DC Caribbean Film Fest, Washington, USA, 2025
Etonnant Voyageurs, St-Malo, France, 2025
Cinéma du Réel, Paris, France, World Premiere, 26 March 2025
Screening for participants, Moengo, Suriname, 8 Dec. 2024
AWARDS
Intangible Heritage Award at Cinéma du Réel, France, 2025
MOVE IT! Human Rights Film Award, Germany, 2025
Best Screenplay at FINIFA, Morocco, 2025
Best Film at FINIFA, Morocco, 2025
Prix de Jury Lycéens at FIFAC, French-Guiana, 2025
DOCMA Award at L’Alternativa, Spain, 2025
Special Mention Youth Jury at Pianeta Mare, Italy, 2025
Special Mention Concorso Lungometraggi at Pianeta Mare, Italy, 2025
Restitution of Contemporary Work Award at Filmer le Travail, Poitiers, France, 2026
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Monikondee-team in Paris at the premiere at Cinéma du Réel, 2025. Photo: Lea Rener





































